A theatrical light goes out and another burns brighter still

The British theatre has lost one of its great figures - Paul Scofield. Famous for his role on the stage, and later screen, as Sir Thomas More in Robert Bolts's play A Man for All Seasons he was a Shakespearian classical actor of great power and presence. Choosing to remain in the theatre when Hollywood stardom beckoned, he was a modest and sel-effacing man - as his co-star in Peter Shaffer's play Amadeus, Simon Callow, said of him Schofield was not an 'actorly' actor. Having lived through the great days of the theatre in the mid-20th century, Scofield ranks alongside Olivier, Gielgud, and Guinness as masters of the art.

Another contemporary master of the art can be seen at the National Theatre in London playing Benedict in Much Ado About Nothing, Simon Russell Beale. In a truly magnificent performance, playing opposite Zoe Wanamaker as Beatrice, this most celebratory of Shakespeare's comedies is brought to vivid life. Both actors are at the top of their profession and a the top of their game. The cast is wonderful with the likes of Oliver Ford Davies lending his great experience on stage and screen in the role of Beatrice's father, Leonato. Directed with bravura by the brilliantissimo Stephen Hyntner the action is aided and guided by a revolving stage and there is a fabulously conceived, wonderfully funny and perfectly executed piece of stage business involving a sunken bath and the antics of the two warring principals.

It is every bit as exuberant and bouncy a production as Kenneth Branagh's film version set in the Italian countryside and boasting an all-star cast. As they say in the theatrical reviewing world: beg, borrow or steal a ticket.